swirlspice

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The second perspective that restricts race-talk is the common notion that spirituality, much like life in America, is a personal matter. From prayer, to worship, and even to acts of compassion, American evangelicals find their worldviews thoroughly enculturated in individualism.

One of the hallmarks of individualism is what many racial scholars call “the bootstraps model.” This states that the key factor for an individual’s or groups’ success is their value system. Ethnic minorities achieve via hard work and sacrifice; Christians through effort and growing in the “Fruit of the Spirit.” The former perspective is usually espoused by those who believe America is a land of equal opportunity, where all people, regardless of their racial, gender, or economic backgrounds can attain the American Dream by pulling themselves up by their bootstraps.

Asian Americans are held up as the bootstraps’ poster children. Since I will address this more in the next section, I’ll only say this here. Wonder why Amy Chua, author of Battle Hymn of the Tiger Mother, rose to Time Magazine’s 2011 Top 100 People List? My speculation: to maintain the belief that hard work, sacrifice, and helicopter parenting are the “keys” to success. And Asian Americans, like Chua, have a monopoly on it.1

Please don’t misinterpret me: value systems that include the aforementioned qualities are extremely important to progress. But this argument, when applied to America’s racial dynamics, works by ruling out all other external factors from why certain groups succeed and others don’t. It does not analyze how racial groups are treated differently on account of their race, both historically and presently.2

Michael Emerson, in Divided by Faith, wonderfully demonstrates how this bootstraps argument is one of the main culprits for American evangelicals’ lack of racial concerns. As his research studies white Americans, he shows how they often perceive moral choices (i.e., value systems) as the root cause for why whites and Asian Americans do well while Latinos and African Americans do poorly. They are, thus, never taught to look at other institutional culprits that affect certain racial groups’ opportunities, access, and lives. For example, how Bank of America intentionally charged Blacks and Latinos higher interest rates than whites on home loans; or how research shows “blacks and whites use drugs at about the same rate, yet African Americans are 10 times as likely to be imprisoned for drug offenses.”

Despite American evangelicalism’s individualistic history, it brings me great joy to know that much of the American Church is returning to its roots of biblical justice. In particular, addressing the vast disparity between rich and poor is becoming a priority. Christians’ understandings of the causes of poverty and all its residual effects are becoming more complex than the oversimplification of poor life choices.

If Christians can make the connections between how structures of power shape and (can) determine the outcomes of people’s lives, perhaps they can expand this understanding to American racial politics. Forty Catholic leaders recently released a rebuking open letter to some of the Republican presidential candidates, challenging them to “reject the politics of racial division, refrain from offensive rhetoric, and unite behind an agenda that promotes racial and economic justice.” These Catholics understand how racialized and disparaging comments can perpetuate and reinforce the way race shapes our views, categorizations, and treatment of certain groups.

Imagine life here in the US — or indeed, pretty much anywhere in the Western world — is a massive role playing game, like World of Warcraft except appallingly mundane, where most quests involve the acquisition of money, cell phones and donuts, although not always at the same time. Let’s call it The Real World. You have installed The Real World on your computer and are about to start playing, but first you go to the settings tab to bind your keys, fiddle with your defaults, and choose the difficulty setting for the game. Got it?

Okay: In the role playing game known as The Real World, “Straight White Male” is the lowest difficulty setting there is.

This means that the default behaviors for almost all the non-player characters in the game are easier on you than they would be otherwise. The default barriers for completions of quests are lower. Your leveling-up thresholds come more quickly. You automatically gain entry to some parts of the map that others have to work for. The game is easier to play, automatically, and when you need help, by default it’s easier to get.

John Scalzi, “Straight White Male:  The Lowest Difficulty Setting There Is” (via emm-in-sem)

The analogy seems apt. Scalzi makes a good point about the word “privilege” being offputting. I know it’s exciting when you finally learn what exactly privilege is and it’s all you want to talk about because you see it everywhere. But the word “privilege,” while not quite up there with “racist,” does tend to make people tune out, either because they don’t get it at all or they don’t get it in the same context that you do.

(via emm-in-sem)

I have always recoiled from the idea that certain conversations by marginalized people can only be held behind closed doors (The old “Don’t air our dirty laundry” thing.). But now I’m wondering if some things simply cannot be discussed effectively within a mainstream context without “othering” the group in question.

It was the latest article in The Washington Post’s series on black women that got me thinking. Lonnae O’Neal Parker is a good writer. Her effort was measured and thoughtful. She is a black female writer in a space where the voices of black women are not the majority. The Washington Post has accompanied its coverage with online discussions and the actual voices of black women—something that doesn’t often happen. Now, I complain all the time about the absence of black women in mainstream media. I hate that they so often ignore us. But here The Washington Post is paying attention to black women and I find I’d rather they didn’t. Because despite all the panels and surveys and a black woman writer and the presence of black female voices, it still reads as exotification and demonization because of the context and because of who is observing the conversation.

I recall feeling the same way last year, when I took part in a CNN online article about the phenomenon of black women with natural hair enduring unwanted touching. Several black women honestly shared our lived experiences with a black writer, who had navigated similar waters. But a brief web article cannot hold the nuance and history related to African American hair and beauty standards and power dynamics. And, based on the nasty attacks several of us endured as a result of the article, in the end, it served more to inflame than educate. (More here.)

Last week I found myself working on an article about an element of black culture for a mainstream feminist publication. My criticism of the Post series and the aftermath of the CNN article began haunting me. Because here I was explaining a black issue for consumption by a mostly non-black audience and perhaps opening the door to the same “othering” that I hate.

So, I wondered: How do other folks who are members of historically marginalized groups, and who write about race and gender and sexuality, wrestle with this? Do they? Should we? Are there topics writers will not or should not discuss outside of a “safe space”? Are there story ideas writers reserve for “of color” or GLBT spaces?

erikostrom:

Supporters of Minnesota’s voter ID amendment posted this illustration of who they’re protecting us against.

Oh FFS.

At Last has become arguably the most popular song in the U.S. for weddings, Valentine’s Day, or other kinds of bourgeois events calling for cheap sentimentality—despite the fact that James’s powerhouse vocals and phrasing actively work against the sentimentality of the song’s arrangement, as it does in most of her work covering jazz standards during that period.

But her vocals weren’t the only place James was working decidedly against a safe “jazz singer” image. She worked in her personal life and her styling to embody the kind of black urban street culture in which she was immersing herself:

“I [was] serious about turning little churchgoing Jamesetta into a tough bitch called Etta James…. I wanted to look like a great big high-yellow ho’. I wanted to be nasty.”

James ascribes the blonde-yellow hair and black eyebrows that she adopted early in her career to being closely associated with street-based sex workers and drag queens at the time. That’s who she was emulating.

From Kenyon Farrow’s insightful Political Obituary of Etta James, Colorlines, 1/24/12 (via racialicious)