swirlspice

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Last week at Racialicious HQ, we were delighted to see the term “hipster racism”—coined by our very own Carmen Van Kerckhove in 2006*—suddenly enter mainstream parlance, thanks to Jezebel’s publication of Lindy West’s “A Guide to Hipster Racism.” In a flash, the words “hipster racism” papered themselves across Facebook and Twitter feeds across the continent (and maybe the world?). Words are wonderful, and when more people have access to language that helps them name the racism of everyday life, we’re happy.

There was only one glitch. While West linked to one Racialicious post (a short piece Carmen wrote in 2007 about white girls and gang signs) she never once name-checks Racialicious or Carmen…or any of our amazing pals and allies who have been writing about this stuff since the main target was Gwen Stefani’s Harajuku Girls (i.e. a long time ago).

On the one hand, no one takes up social-justice work to see their name in lights and, at the end of the day, the point is just to get the message across, no matter who gives it the signal boost. On the other hand, we’re only human. It hurts when work that we, as a collective, have been jackhammering about for seven-plus years gets credited to someone else. (Seven years, y’all! Back to the dawn of skinny jeans! Before Facebook was open to the public, for cripes’ sake.)

And as our friends at Bitch pointed out, it is also distressing, though not in the least surprising, that the words “hipster racism” are more palatable, resonant, and listenable when they come from the mouth of a white blogger. It’s enough to make you get real low and start thinking terrible emo thoughts, like one white blogger is worth more than ten bloggers of colour.

See, you know it’s bad when your fooliganery brings someone out of retirement to cuss you out. But Jezebel’s failure to credit writers of color—specifically the R’s founder Carmen (Van Kerckhove) Sognonvi—for bringing the term “hipster racism” into the daily vocabulary brought back the R’s former Associate Editor Thea Lim. Her snap is on the R today. (via racialicious)

The second perspective that restricts race-talk is the common notion that spirituality, much like life in America, is a personal matter. From prayer, to worship, and even to acts of compassion, American evangelicals find their worldviews thoroughly enculturated in individualism.

One of the hallmarks of individualism is what many racial scholars call “the bootstraps model.” This states that the key factor for an individual’s or groups’ success is their value system. Ethnic minorities achieve via hard work and sacrifice; Christians through effort and growing in the “Fruit of the Spirit.” The former perspective is usually espoused by those who believe America is a land of equal opportunity, where all people, regardless of their racial, gender, or economic backgrounds can attain the American Dream by pulling themselves up by their bootstraps.

Asian Americans are held up as the bootstraps’ poster children. Since I will address this more in the next section, I’ll only say this here. Wonder why Amy Chua, author of Battle Hymn of the Tiger Mother, rose to Time Magazine’s 2011 Top 100 People List? My speculation: to maintain the belief that hard work, sacrifice, and helicopter parenting are the “keys” to success. And Asian Americans, like Chua, have a monopoly on it.1

Please don’t misinterpret me: value systems that include the aforementioned qualities are extremely important to progress. But this argument, when applied to America’s racial dynamics, works by ruling out all other external factors from why certain groups succeed and others don’t. It does not analyze how racial groups are treated differently on account of their race, both historically and presently.2

Michael Emerson, in Divided by Faith, wonderfully demonstrates how this bootstraps argument is one of the main culprits for American evangelicals’ lack of racial concerns. As his research studies white Americans, he shows how they often perceive moral choices (i.e., value systems) as the root cause for why whites and Asian Americans do well while Latinos and African Americans do poorly. They are, thus, never taught to look at other institutional culprits that affect certain racial groups’ opportunities, access, and lives. For example, how Bank of America intentionally charged Blacks and Latinos higher interest rates than whites on home loans; or how research shows “blacks and whites use drugs at about the same rate, yet African Americans are 10 times as likely to be imprisoned for drug offenses.”

Despite American evangelicalism’s individualistic history, it brings me great joy to know that much of the American Church is returning to its roots of biblical justice. In particular, addressing the vast disparity between rich and poor is becoming a priority. Christians’ understandings of the causes of poverty and all its residual effects are becoming more complex than the oversimplification of poor life choices.

If Christians can make the connections between how structures of power shape and (can) determine the outcomes of people’s lives, perhaps they can expand this understanding to American racial politics. Forty Catholic leaders recently released a rebuking open letter to some of the Republican presidential candidates, challenging them to “reject the politics of racial division, refrain from offensive rhetoric, and unite behind an agenda that promotes racial and economic justice.” These Catholics understand how racialized and disparaging comments can perpetuate and reinforce the way race shapes our views, categorizations, and treatment of certain groups.

…while one can dismiss these comments as outliers, as representative of trolls or extremists, or even link these comments to the whiteness of hockey, it is crucial to reflect on the larger context. These comments reflect broader trends online, within contemporary racial discourse, and within American sports culture.

From recent tweets from model/actress Jessica Leandra Dos Santos to those directed at webseries showrunner Issa Rae and those following the release of The Hunger Games, Twitter has become rife with racial epithets, sexism, and other forms of hate speech. The level of vitriol and the ubiquity of epithets and violence language have been well-documented: therefore, the tweets directed at Ward reflect a larger pattern of racism online, as opposed to a hockey-specific manifestation. At one level, racism online reflects the technology and aesthetics that define an online environment.

Whether emboldened by anonymity, or the fact that millions of people now have a platform to disseminate their views, ideologies, and world view, the nature of online racism merely reflects the available technology. A 1993 cartoon in The New Yorker captured the appeal of virtual reality for people to voice and show the worst in themselves and society at large.

As Northwestern University professor Pablo Boczkowski told NewsOne, “We always had people shouting on the street. It was a handful of people, and the sender of the message could be clearly identified. Now the audience is much bigger, it’s more unknown, it’s more diverse potentially, and this has changed the dynamics of the game.”

The existence of avatars, online handles, and twitter accounts that can be deleted in a moment notice fosters a culture where epithets and racist pronouncements are seemingly detached from the real-body giving voice to them. The author is unclear, yet the consequences are daily evident. Brendesha Tines, professor African-American studies and psychology at the University of Illinois, describes an online world rampant with racism. In her study of high school youth, she found that 29 percent of African Americans and 42 percent of those identifying as “other” or mixed race experienced racial epithets or other forms of racism online; some 71% of African Americans and 67% of whites and mixed-race youth “witnessed discrimination experienced by same-race and cross-race peers.” It would be a mistake to look at the tweets directed at Joel Ward as an aberration but rather a visible manifestation of the daily realities of online racism.

It would also be a mistake to particularize these tweets as evidence of the sordid debauchery of online spaces. While reflecting online culture, and the presence of “trolls,” the racism directed at Joel Ward, as with other examples, reveals the nature of racism within contemporary society.

BOOM! David Leonard does an incredible analysis on the linkages between sports, casting, and other aspects of pop culture on the R today. (via racialicious)

Imagine life here in the US — or indeed, pretty much anywhere in the Western world — is a massive role playing game, like World of Warcraft except appallingly mundane, where most quests involve the acquisition of money, cell phones and donuts, although not always at the same time. Let’s call it The Real World. You have installed The Real World on your computer and are about to start playing, but first you go to the settings tab to bind your keys, fiddle with your defaults, and choose the difficulty setting for the game. Got it?

Okay: In the role playing game known as The Real World, “Straight White Male” is the lowest difficulty setting there is.

This means that the default behaviors for almost all the non-player characters in the game are easier on you than they would be otherwise. The default barriers for completions of quests are lower. Your leveling-up thresholds come more quickly. You automatically gain entry to some parts of the map that others have to work for. The game is easier to play, automatically, and when you need help, by default it’s easier to get.

John Scalzi, “Straight White Male:  The Lowest Difficulty Setting There Is” (via emm-in-sem)

The analogy seems apt. Scalzi makes a good point about the word “privilege” being offputting. I know it’s exciting when you finally learn what exactly privilege is and it’s all you want to talk about because you see it everywhere. But the word “privilege,” while not quite up there with “racist,” does tend to make people tune out, either because they don’t get it at all or they don’t get it in the same context that you do.

(via emm-in-sem)

I have always recoiled from the idea that certain conversations by marginalized people can only be held behind closed doors (The old “Don’t air our dirty laundry” thing.). But now I’m wondering if some things simply cannot be discussed effectively within a mainstream context without “othering” the group in question.

It was the latest article in The Washington Post’s series on black women that got me thinking. Lonnae O’Neal Parker is a good writer. Her effort was measured and thoughtful. She is a black female writer in a space where the voices of black women are not the majority. The Washington Post has accompanied its coverage with online discussions and the actual voices of black women—something that doesn’t often happen. Now, I complain all the time about the absence of black women in mainstream media. I hate that they so often ignore us. But here The Washington Post is paying attention to black women and I find I’d rather they didn’t. Because despite all the panels and surveys and a black woman writer and the presence of black female voices, it still reads as exotification and demonization because of the context and because of who is observing the conversation.

I recall feeling the same way last year, when I took part in a CNN online article about the phenomenon of black women with natural hair enduring unwanted touching. Several black women honestly shared our lived experiences with a black writer, who had navigated similar waters. But a brief web article cannot hold the nuance and history related to African American hair and beauty standards and power dynamics. And, based on the nasty attacks several of us endured as a result of the article, in the end, it served more to inflame than educate. (More here.)

Last week I found myself working on an article about an element of black culture for a mainstream feminist publication. My criticism of the Post series and the aftermath of the CNN article began haunting me. Because here I was explaining a black issue for consumption by a mostly non-black audience and perhaps opening the door to the same “othering” that I hate.

So, I wondered: How do other folks who are members of historically marginalized groups, and who write about race and gender and sexuality, wrestle with this? Do they? Should we? Are there topics writers will not or should not discuss outside of a “safe space”? Are there story ideas writers reserve for “of color” or GLBT spaces?

When or if Crystal does release a statement concerning his actions I’m guessing the word ‘tribute’ will be used. Perhaps the term ‘subversive’, which tends to be a favorite of those defending Fred Astaire’s one blackface performance in 1936’s Swing Time. Astaire’s imitation of Bill ‘Bojangles’ Robinson is often given a pass because it was meant as an homage to the man he considered a colleague in dance, and because it was an imitation of a specific person, not the race as a whole. It wasn’t meant to be offensive, the theory goes–which of course means the viewer should just ignore the history behind blacking up and enjoy the dancing.

Crystal’s defenders seem to be expressing the same views, some even going as far as to point out that because he didn’t do it in the traditionally correct way (burnt cork mixed with water to make the blackface paste, coupled with a deliberate emphasising of Black features like the lips and eyes) it shouldn’t be put in the same class as “real” blackface.

Blacking up is blacking up, though, whether or not you do it ‘right’. And call me crazy, but it should never be funny. Remember the feeling you got the first time you saw Bugs Bunny in blackface for the first time during your Saturday morning cartoons Or maybe you accidentally saw Swing Time or an old Judy Garland and Mickey Rooney movie without anyone there to explain it to you.

When you see a film like Bamboozled, Spike Lee has purposely laid the groundwork for you to have a sick feeling in the pit of your stomach, but when it comes to casual occurrences as with Bugs Bunny, Judy Garland, and Billy Crystal you start having to defend your feelings of offence and discomfort others. Done ‘right’ or ‘wrong’, blacking up evokes a sense of nostalgia that is anything but fond and comforting.

racialicious:

racismschool:

Ever been described as “Aggressive” when you feel like you’ve been going out of your way to keep your cool? Yes, it’s another tool of the racist. 

This one took me years to figure out. 

When I moved to the all white school, people (some that I didn’t even know) would walk up to me and say “I’m not scared of you.” This was the strangest thing in the world to me. I couldn’t understand it. At the time, I would always just say “Um…okaaaay?” Then just move on in complete confusion. Now I know why. It’s because “Black people are angry.” 

Not only are we seen as angry aggressors, this idea is often encouraged in everyday life. The media, TV and movies play a huge role in continuing this myth. The myth (like many racist myths) is set up in a way to penalize us for reacting to the way we are being treated. 

Ever called someone on being a racist and heard “You are overreacting?” Yes, that’s what it’s about. If you are seen as the angry aggressor, the overreactor and the antagonist at all times, they can never be wrong. It will always be your fault. You will always be the one “Who started it.” They have a way out.

The other problem with this myth is that it often opens the door for true aggression. White people are often overly aggressive towards black people. They seem to feel the need to “Put us in our place.” Any reaction from us will lead to a barrage of accusations of “Overreaction.” Then, they will be justified and we will be vilified. 

I’ve said it before and I’ll say it again, it’s a genius system.

Broken down so it’ll forever stay broke.

CeCe McDonald, a black trans woman, has been facing 2nd degree murder charges since being attacked last summer by a group of white adults.

CeCe and several friends, all black, were walking to the grocery store on June 5th, 2011 when white adults standing in the patio area of a South Minneapolis bar started screaming racist and transphobic slurs at the youth. CeCe, who is only 23 years old, approached the group and replied that she and her friends would not tolerate hate speech. In response, one of the white women said “I’ll take you bitches on” and smashed her glass into CeCe’s face. The broken glass sliced all the way through CeCe’s cheek. A fight ensued between the adults and the young people after this initial attack and one of the attackers, Dean Schmitz, was fatally stabbed.

As if it were not sufficiently tragic that a group of young people were subjected to such severe violence and that Dean Schmitz lost his life, police arriving at the scene arrested CeCe, denied her adequate medical treatment, interrogated her for hours, and placed her in solitary confinement. In the aftermath of being attacked, she was not treated with care, but launched into another nightmare. The only person arrested that night, she has since been charged with two counts of 2nd degree murder. Hennepin County Attorney Michael Freeman has the power to drop these charges, a choice he made in multiple other clear instances of self-defense this year, but he has not yet done so.

CeCe’s story is a portrait of the United States Criminal Justice System. Her story is what is meant when we are told that transgender people, especially transgender women of color, experience disproportionate rates of police harassment, profiling, and abuse. She is living one of the stories rolled into statistics like: trans people are ten to fifteen times more likely to be incarcerated than cisgender (not transgender) people, or nearly half of African American transgender people have spent time in jail or prison.

These statistics are the result of the all of the ways that transgender people, especially transgender people of color, are denied access to the resources and opportunities that we need to live healthy lives free of violence, discrimination, and oppression. Transgender people consistently experience high levels of harassment in school, extreme levels of unemployment due to discrimination and lack of education, denial of competent medical care, inability to change identification documents, and disproportionate violence and harassment. Nevertheless, for generations transgender people, especially transgender women of color, have been at the forefront of movements against police brutality, white supremacy, economic injustice, and for queer liberation and gender self-determination.

Jessica Annabelle, Why We Should Support CeCe McDonald, Racialicious 1/27/12 (via racialicious)

racialicious:

daniellemertina:

FYI,

not wanting to emphasize race, wanting to be color blind, not wanting to focus on racism in movements (like OWS and feminism for example), saying we all bleed red, or nobody’s life is perfect and we’re all oppressed, and etc.

is racism. It is trying to circumvent dealing with racism. It is trying to deny that racism impacts people’s lives in real ways. It is racist.

When racism is not cared about & when it is tossed to the side, PoC’s needs are not addressed. Only white people’s needs are addressed since literally everybody faces racism except white people.

If you tell me not to emphasize my race I’ll remind you that my race is emphasized everyday. So if you want to pretend that isn’t happening, you’re racist.

Maybe not intentionally, because maybe you hadn’t thought about it in depth. Many white people are racist just because they were brought up not to consider the needs of non-whites and not to consider that this is a white supremacist country, not because they hate non-whites necessarily.

But that is no matter to me. It’s still racism.

::slow clap::

racialicious:

so-treu:

larepublicadedet:

newsweek:

Amen, Charlize

If folk watch the video - Viola Davis’ point was not about being hot or not, was not about comparing her looks to Halle Berry. It was about  (as she said if Theron hadn’t have interrupted her and someone making this into a .gif) that she understands the identity standards that Hollywood commodifies for particular roles and reproduce then disseminate to the masses. Regardless of Theron or me or anybody thinking that Viola Davis is the biznez, the structure  couldn’t give two warm damns about what we think. Like Clooney said in the video, Hollywood uses very simple ways to decide what the audience does/doesn’t want … of course all of this is a microcosm for how the larger society actually work - and in that there’s a system, a hierarchy, racism, colorism, classism, intellectual elitism, etc. an exclusion based on who is in charge & who runs the business. Those ppl look more like Theron than Berry or Davis, and they look especially like the majority of folk sitting in the room in that clip - white males.

yeah, way to miss the point, newsweek. as usual.

And Charlize? You need to have the whole feminist of color canon’s worth of seats.